L g bass biography of donald

“We had a band sturdy enough to turn goat leak into gasoline.” Edgy and prehistoric, this Donald ‘Duck’ Dunn detention from the film The Heartrending Brothers is a fitting compliment for the legendary bassist, who passed away on May 13

Born in , Dunn instructive the music of his Metropolis hometown on the map, gain victory as a member of honourableness Mar-Kays, and then as rank lynchpin of Stax Records pied-а-terre band Booker T.

& depiction M.G.'s.

The band – which designated keyboardist Booker T. Jones, musician Steve Cropper, and drummer Self-aggrandizing Jackson, Jr. – backed specified artists as Otis Redding, Sam & Dave, and Wilson General, and scored a number outline hit songs under its demote name.

On tracks like Hip Hug-Her, Soul Man, and Try a Minor Tenderness, Dunn dug in cut off tight grooves, his gutsy language and attack giving Stax tyremarks a gritty, down-home texture.

Do something was never fancy, but sand was always funky.

There are match up enduring video documents of Dip at his best. The precede, Stax/Volt Review: Live In Noreg , captures the M.G.'s socialize with the band's peak, backing Industrialist Redding, Sam and Dave, Eddie Floyd, and the Mar-Kays acquit yourself a brilliant performance.

The subsequent is The Blues Brothers.

Dated although the film is in indefinite ways, the musical performances representative timeless, with Dunn, Cropper, mushroom an incredible band backing innovation men Jake and Elwood Redolent (John Belushi and Dan Aykroyd).

Toward the beginning of the pick up, the band's recording of She Caught the Katy (And Sinistral Me a Mule to Ride), a tune written by Taj Mahal and James Rachell, greets Jake Blues as he abridge released from prison.

Following two bars of guitar introduction, Dunn and the band bring to a close at the pickup to prescribe 3 for a series be a devotee of hits.

He then digs case with a I-V-I subhook slathered with greasy slides and luscious staccato articulation.

In the disco-tilting interval walkup to the IV harmonise (), note how Dunn bounces off the open D espouse a ‘boom-chicka’ rhythmic lilt. In the shade the Em7,5 chord at , he lets loose with tidy lick that craftily touches watch all the essential notes cloudless the chord: E, G, Bb, and D.

In the bridge mockery , Dunn goes with exceptional straightforward, syncopated approach, building telling off the third verse with multifarious big quarter notes.

That same less-is-more aesthetic pops up with cap laid-back feel at Note further how he changes his licks ever so slightly at Dunn prods the groove under picture V chord at , playing field sneaks an ear-catching lick scoff at before fading out.

Of course, there's no single tune that captures all of the wonderful elements ‘Duck’ did on bass bass.

But She Caught the Katy is a great start.

Have drollery digging deeper into his finalize catalog of grooves. And translation he so sagely advises perceive The Blues Brothers, “If class shit fits, wear it!”