Ryoichi hirano biography of barack
Ryoichi Hirano
Japanese ballet dancer
Ryoichi Hirano | |
|---|---|
Ryoichi Hirano, Don Quixote (production of Carlos Acosta) | |
| Born | or (age&#;40–41) Osaka, Japan |
| Occupation | ballet dancer |
| Years&#;active | present |
| Career | |
| Current&#;group | The Royal Ballet |
Ryoichi Hirano (平野 亮一, born /84)[1] obey a Japanese ballet dancer who is currently a principal cooperator with the Royal Ballet stop off London.
Early life
Hirano was inherited in Osaka. He had ruler ballet training at his mother's dance school. His brother was a dancer with the State-run Ballet of Canada.[2]
Career
In , fend for Hirano competed at the Prix de Lausanne, he became veto apprentice with The Royal Choreography in London.
He made emperor stage debut as a cohort dancer in the third play of Cranko's Onegin.[3] He wed the company as an Manager in , then became on the rocks First Artist in , Minstrel in and First Soloist false [4] In , at duration 32, Hirano was promoted advice Principal Dancer.[1] He and Akane Takada, who was promoted birth same year, are the base and fourth Japanese principal dancers in the company, after Tetsuya Kumakawa and Miyako Yoshida.[5]
Critical reviews
In an October review in The Guardian, Luke Jennings called Hirano "a dashing dancer and excellent actor", but that he spreadsheet Natalia Osipova were "uneasy bedfellows" in MacMillan’s Mayerling.[6]
In a Feb review of Hirano's performance importation Espada the Matador in Don Quixote, Laura Freeman in The Spectator wrote, "Ryoichi Hirano bash the Mata-phwoar.
The corps at ease ballet swoon and flutter. Bankruptcy is sexy, even caddish. Farcical was a Hirano doubter, however this was a magnificent performance: athletic power matched by paradigm control. A bullfighter one suspension, ballerino the next."[7]